The Artistic Inquiry

The practice has never belonged to a single medium.

Over more than twenty years, it has unfolded through choreography, performance, sculpture, video, curatorial projects, and material processes.

The medium changed. The inquiry remained.

How does potential become available without losing its freedom?

Early works such as Intuition of Form and Philosophy of Walls explored the relationship between movement, image, and the emergence of form. Later projects, including Phases of the Moon, Cage for Air, No Translations, @BODY.MOVE, Inappropriate Texts, and Kod Epohi, shifted this investigation toward transitions between states and the movement of information across different media and contexts.

Over time, my attention moved away from movement itself and toward the conditions that allow forms to appear, transform, and disappear. I became interested not in movement itself, but in what happens between forms.

Aristotle’s concept of entelechy — the movement from potential toward actuality — accompanied my early work and remains relevant to the current practice. The work no longer seeks to represent movement, but to observe how one state becomes another.

Developed in Bali, Extended Moment and Bali Ku continue this trajectory through material processes. Temporary arrangements of organic matter undergo successive translations and assume new forms across image and surface.

Rather than treating media as separate disciplines, I approach them as different conditions through which the same questions continue to unfold.

The work does not seek fixed meanings or conclusions. Instead, it remains attentive to transformation itself — to intervals, translations, and the emergence of form.